THE ICONOLOGY OF GENDER II

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THE ICONOLOGY OF GENDER II

Gendered Representations in Cultural Practices

Papers in English & American Studies; 15.

Szerkesztő: Kiss Attila - Szőnyi György Endre

JATE Press, 2008

1 890 Ft
Akció: 1 605 Ft
Kezdete: 2017.06.01   A készlet erejéig!
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A kötet adatai:
Kötés: Puhakötés
Megjelenés éve: 2008
Terjedelem: 210 oldal

Tartalomjegyzék:

FORUMS OF GENDER ANTAGONISM IN LITERATURE

Dobolán Katalin
Pícara, Pícaro, and Moll Flanders

Márta Gaál-Baróti
Androgynie in Novalis’ Heinrich von Ofterdingen

Tatjana Jukić
Dangers of Gendering: the Case of Pre-Raphaelitism

Ágnes Zsófia Kovács
Gender as Performance in Henry James: The Role of Portraits in The American

Mária Bajner
The Trop of Angels in Women’s Short Story and Fiction

Cristian Réka Mónika
Albee’s Child Icon

GENDERED IMAGERIES OF CULTURAL PRACTICES

Urszula Szulakowska
Gender Transformation in Alchemical Imagery, Renaissance and Post-modern

Irene Werner Stage
The Use of Gender and Body in Alchemical Practice in Late Medieval and Renaissance Alchemical Iconography

Róbert Péter
The Gender Constructions of English Masonic Ideology and Practice in the Eighteen Century

Irén Annus
Gender in the Landscape: The Cultural Transformation of the Garden by the Mid-19th-century US

Elizabeth Mix
Icons of Evil: Amazones and Their Toys

THE PERFORMANCE OF SELF-REPRESENTATION

Anna Wessely
Gendered Aesthetic Concepts and the Iconography of Gender in the Late Eighteenth Century

Anna Makolkin
Sartorial Iconography and Universal Gender Entrapment

Kérchy Anna
Carnal Re-presentations in Orlan’s Body Art. Surgical Interventions Subverting the Iconography of Femininity

Sabine Coelsch-Foisner
„I Am….”: Iconographic Representations of Gender in Stevie Smith’s Poems and Doodles

Susanna Välimäki
Gender, Sexuality, Self-portrait – and Country Misic: k.d. lang’s Johnny Get Angry

THE GENDERED FILMIC SUBJECT

Dragon Zoltán
The Disappearing Body: The Unrepresentable Carnality in Joseph L. Mankiewicz’s Suddenly Last Summer

Éva Federmayer
The Race Movie and the Iconography of the New Negro Woman: Oscar Micheaux’s Within Our Gates (1920)

Zsolt Győri
Woman Overlooked: The (Im)possibility of Fatherhood in Two Films by Stanley Kubrick

Andrea Virginás
Post(modernism). Noir Traces in 1990s Crime Movies

Papers Read at the Conference, „The Iconography of Gender” July 14–17, 2003
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4 901
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